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KAs@Work: Frances Cha of CNNGo

Posted on 02 August 2012 by Gawoon Chung

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KAs@Work is a new series that profiles Korean Americans and their jobs. Want to share what you do, or know of people with interesting jobs? Get in touch.

Before moving back to South Korea for a full-time position as the Seoul editor at CNNGoFrances Cha attended Dartmouth College to pursue a Bachelor’s degree in English Literature and Asian Studies. She enrolled at Columbia University for a Master’s degree in Creative Writing and started teaching shortly thereafter, all the while working for a variety of publications.

Despite her busy schedule, Frances took the time to impart us with some journalistic wisdom and to discuss why she flew back to Seoul, K-pop’s influence in South Korea’s tourism, and what it’s like being an editor for a publication that integrates both work and play.

You received your MFA in Creative Writing from Columbia University and have also taught writing classes at your alma mater and most recently at Yonsei University. What lured you into online journalism and travel writing?

I’m actually still teaching a fiction workshop right now at Yonsei. It’s so much fun switching in and out of journalism and fiction mindsets – and I like pursuing them together simultaneously. I was doing lit journal and the school newspaper in high school, then college, then in grad school I was working at a fashion magazine a few times a week. You learn to look at events in different ways and tease stories out of them differently. Fiction is a bit like travel writing – in grad school, we read John Garner, who said there are only two real plots in fiction: a stranger comes to town, or someone goes on a journey. So the two feed on each other… and I guess I’ll be travel writing in nonfiction or fiction for the rest of my life.

Tell us how you ended up moving to South Korea to work as the Seoul editor at CNNGo. What are some of your day-to-day tasks as editor?

My family has been based in Seoul since I was in middle school, and so even though I was traveling back and forth since I was fifteen for boarding school, I always thought of Seoul as home. When I got the opportunity to teach fiction at Yonsei, I moved back after graduation, but within two weeks of coming back I heard about this opening, and I interviewed the day I heard about it.

Day to day tasks… I assign and edit articles and have skype or phone editorial meetings with the rest of our staff who are scattered all around the world, from Oregon to Tokyo to Bangkok. For the first year I was doing only Korea content, but these days I moved away more to global homepage content. The line between work and play become very blurred because sometimes I’ll go somewhere on holiday or to a restaurant, and then I’ll write about it afterward for CNNGo, even though I went there without the slightest intention of doing so. What I love best about the job is actually the hilarious emails that we get from our bosses—they really should be printed out and framed. In fact, I might just do that right now.

Frances Cha being interviewed on QTV program Miracle on the 7th St.

CNNGo covers “the best travel, entertainment and lifestyle experiences” in Asia and beyond. What are some of your most memorable travel experiences?

My favorite place in Korea is probably Taebaek. Mountain country. It’s beautiful in any season and has this otherworldly aura about it, especially when it’s snowing and you’re closed in. Plus the hanwoo is amazing up in the mountains.

One of my favorite trips this past year has been with my co-workers at Turner Korea. We rented a car in Gyeongju and went to Andong Hanok Village, which is where one of our unnis’ family is from. They’ve owned the most beautiful estate in that village for 500 years, ever since it was given to them by the king. It’s not open to the public, but we got to stay over and have proper tea and etiquette lessons as they were given in one of the old families, and slept in the same room as a century old sewing machine.Our last summit in Hong Kong two months ago was also spectacularly fun. Our staff went on a scavenger hunt all over the city and we had to do ridiculous tasks, like getting a stranger to have a drink with us, and filming it, and photographing all the 7-11 stores we could find. And having the worst fortune told at a temple. I’m still not over mine.

At an AAJA Seoul panel discussion held earlier this year, you mentioned that the elements for a successful article at CNNGo are: 1) nailing the “voice”; 2) “maintaining ‘snarky, cool’ angles” on already-covered topics; and 3) having an attention-grabbing headline—which you say accounts for 50% of whether or not the article will go viral.

What’s your process for writing a winning headline?

Sometimes we’ll go back and forth on a headline for half an hour and after a while they just get increasingly more inappropriate and outrageous. Then we’ll put it aside and mull over it subconsciously for the next few days until we have an aha! moment in the shower or whatever. Since we’re online, we’re trying to tempt the discerning clicker, and it always helps to be funny, snarky etc. and to avoid clichés like the plague. Except that last one was a cliché, I know, I know.

Why is finding your voice/tone important? How do you bring a fresh spin to an over-covered topic?

The first thing I learned on this job was to avoid chirpy, hackneyed writing on the pain of death. Our boss would give us these brochures and press releases and make us circle pretty much every gushy adjective and verb with a red pen. He wanted us to write the story that you would tell one of your good friends while unwinding at a bar somewhere – and to offer interesting commentary alongside memorable experiences. So yeah, the first step to bringing that fresh spin on an over-covered topic would be to envision what you would actually say about it to your best friend over drinks somewhere, way after work hours.

In 2010, you reviewed JYJ’s first showcase in NYC for V Magazine, and in 2011, you wrote a spot-on piece about the craziness of K-pop fandom in The Believer. How significant is K-pop’s influence in South Korea’s tourism? Do you think K-pop/hallyu will continue to grow and eventually hit mainstream America? More importantly, how do you keep up with all the new 7-member-plus boy and girl groups that debut each week?

K-pop’s influence on Korea’s tourism industry is actually quite huge. I’m always surprised by how fervent the following is – and people who travel here for that have this glint in their eye – like they’re hunting for some kind of cathartic experience and they’re getting it in full. It’s very regional however, and I don’t think there’s any change at all for it to cross over into mainstream Western audiences (2NE1 probably has the most potential of the current acts) unless it is a perfectly bilingual outrageous female singer or group who will have the appeal similar to that of Lady Gaga or Nicki Minaj.

I don’t actively try to keep up with K-pop anymore but I do go to concerts and music shows quite frequently because a lot of my friends are in the industry, and plus they’re just vastly entertaining, with all the dancing and comedy mixed in with the crazy intense fan culture, including the sa-seng that have I written about in the past.

Lastly, what are your three travel tips for people visiting South Korea for the first time?

There are so many…but here goes:

  1. Go to the palaces when it’s raining. There will be no one there and they’re unutterably beautiful.
  2. You really should try live squid. It’s delicious, I swear.
  3. Check out the Furniture Museum. It’s the prettiest place in Seoul.

Read Frances Cha’s CNNGo articles here and keep up to date with CNNGo - South Korea.

[Photos: Courtesy of Sophia Chong, Turner International]

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[KB Giveaway] The ’90s K-POP Party is Back!

Posted on 13 June 2012 by Korean Beacon

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H.O.T.  S.E.S.  Shinhwa  Fin.K.L.  G.O.D.  DJ DOC  Solid (how about that for a throwback!)…

If these names bring back memories of the time you tried to cut your hair like Kangta or had that glorious sticker collection of Kangta, it’s time to honor (and own up to) those good times because the ’90s K-POP Party is back!

After a successul run in 2010, the 90s K-pop Party is back and bigger, with stops in NYC, LA, and Seattle!

The feel-good party will kick-off in Los Angeles with on June 16 (Belasco Basement), make its way to New York City on June 21 (Pranna), and head up to Seattle on June 30 (TIG’s). The Los Angeles leg of the party will also be hosted by none other than comedian/founder of Kollaboration Paul “PK” Kim. Also, thanks to the fine folks at Hite Jinro, there will also be a one-hour open bar at all three locations!

As old school K-Pop devotees, we’re happy to announce that we are giving away THREE (3) pairs of tickets to the ’90s K-POP Party at either NYC, LA or Seattle—your pick. 

To win a pair of these tickets:
1) “Like” Korean Beacon on Facebook (http://www.facebook.com/koreanbeacon).
2) Fill out the following form:

Contest ends Friday, June 15th @ 5pm EST.

Here’s a pre-gamer for you: H.O.T’s “Candy” — also voted as the #1 Best K-pop Song of All Time by Spin!

For more info about the ’90s K-Pop Party, go to www.90skpop.com
Listen to a non-stop ’90s K-Pop party mix here: http://youtu.be/b03YdGxWaGI

TICKETS:
Pre-sale tickets – $12
(Buy now at  www.90skpop.com)
Tickets at door – $20

LOCATIONS:

Los Angeles
@ Belasco Basement
1050 S. Hill St., Los Angeles, CA 90015
Saturday, June 16
Doors open at 9PM
21+ with valid ID
*There will also be a ’90s Kpop star costume contest. Contestants will be judged on accuracy and entertainment value and the winner will receive FREE bottle service!

New York
@ Pranna
28th & Madison, New York, NY
Thursday, June 21
Doors open at 9:30PM
21+ with valid ID + Costumes highly encouraged!

Seattle
@ TIG’s
614 1st Ave., Seattle WA 98104
Saturday, June 30
Doors open at 9:30PM
21+ with valid ID + Costumes highly encouraged!

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K-Pop: A Secret Weapon of Korea for Future Cultural Domination?

Posted on 17 February 2012 by Korean Beacon

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Girls' Generation

“Gee, gee, gee, gee, babe, babe, babe, babe.” What does it sound like?

It is a “hook” by an idol girl group who fascinated more than 65 million viewers on YouTube. And the list goes on. There are many other Korean pop groups who have millions of followers or fans around the world: Girls’ Generation, Wonder Girls, KARA, TVXQ, 2NE1, SHINee, 2PM, you just name it.

American pop music industry, beware! Like a pied piper, these idol groups from Korea are captivating fans in North America. For the sold-out concert at the Madison Square Garden in NYC, tens of thousands of star-struck teenybopper-comrades across the country — even from Canada and Mexico — to be mesmerized by the glittering and flashy idol bands from Korea.

Paige from Detroit burst into tears as one boy band was going to the army. Monica came from Mexico, making her friends jealous. You think that’s hardcore? Two brothers from Canada drove non-stop for 36 hours. Dora from Colorado missed two days of school, one to buy the ticket online, and the other for the concert. From Asia to NYC, to flash-mobs in Paris and Istanbul, global K-Pop seems to be afoot.

The International Business Times on February 4, 2012, states, “The catchy and energetic songs are making inroads in the United States… ” like the recent performances on American television (such as CBS’ Letterman Show and ABC’s Live! With Kelly) and Billboards launching a top 100 chart for Korean Pop… also, Turkish tweeters dwarfed Katy Perry by overwhelmingly demanding ‘Turkey Wants KPop.’

As America has been the leader of the world, its pop music industry has held its kingship in the global entertainment industry. Iconic stars like Elvis Presley, Michael Jackson, Beyoncé and many others thrilled audiences in the world throughout the past decades. Again Madonna’s performance as a Pharaoh at the Super Bowl XLVI evidences how American pop stands out in the world as an empire. Back then, school boys in Korea, like me, had to remember constantly the changing names on America’s Billboard Hot 100.

And now, what is happening? The Wall Street Journal recently posted an article about the Korean pop saying that these groups “aren’t just a random act of globalization. They are the secret weapon in Korea’s next push for worldwide youth-culture domination.”

Are these Korean pop groups really Korea’s secret weapon?

The U.S. has long believed that it would lead the world, partly thanks to its overwhelming “soft power,” probably with pop culture at its forefront.

However, as the world becomes more and more “flat,” per se, exchanges and communications become astonishingly bidirectional. And hybrid products are born through this bidirectional “flattening,” process as you easily find in all manufactured and cultural products.

Case in point, great successes and recognitions built on the world stage by Yo-Yo Ma, Lang Lang of Chinese descent, Japan’s Seiji Ozawa and Kyung Wha Chung of South Korea demonstrates how classical musicians from Asia have been transcending nationalities, through a blend of Western tradition, Asian talents and their own investments.

Let us examine this unfolding new environment: the new generation of the globe equipped with new outlets of technologies is exposed to millions of choices in the sea of web. They can freely select their menus from the vast global resources, and their appetites cannot be fixed. So too are the global availabilities of resources from the producers’ point of view. The sensational surge of K-pop is another product of phenomenal application of interface and interfusion, making “Certificate of Origin Criteria” difficult.

As universal sources come into play in making Apple iPhones or Samsung products, Korean entertainment producers are smart enough to know how to blend ingredients for universal attraction. Best and innovative choreographers, song writers, and skilled musicians from the U.S., Europe and other parts of the world join the production, highlighting the talents and beauties of artists. Even some artists are recruited from the U.S., China, Thailand and elsewhere.

And, within a single song, the singers easily switch from using Korean and English — back and forth, even in mid-sentence — so that English speaking listeners, too, quickly share the same feelings. K-pop artists are extraordinarily good at presenting a mix of music and exhilarating dance in multiple languages wherever they go; thus, inviting fans to get excited and react.

Yes, we should admit that the appetites of the new generations across the globe are transient, unreliable and even capricious. But, what is truer is that they are more ready to interface with each other. Therefore, pop culture is speedily eroding boundaries of nations, as any multinational companies do.

The New York Daily News on October 23, 2011, asserted that Korean pop music “has become an alternative for audiences bored with the current top-100 charts.” It further added by quoting MTV World’s general manager, Nusrat Durrani, “Look at American Pop music today — it’s great, it’s very high-quality, but there is a sameness to it. The visual vocabulary of [Korean] music is completely different…This is, wow, David Bowie in the Ziggy Stardust period — but South Korean. Why should pop music be only American-dominated?”

The newly bred pop music that Korea presents can no longer be a secret weapon, anyway; it is too well-known now. But, can anyone complain about a chef who provides a fancy-looking hybrid menu?


Written by Young-mok Kim. This article originally appeared on The Huffington Post and was republished with the author’s permission.

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Young-mok Kim Since August 2010, Ambassador Young-mok Kim has been serving as the Consul General of the Republic of Korea in New York. As Consul General, Kim seeks to promote trade and investment between Korea and the United States, spearhead activities for the Korean American community, and position New York City as a spring board for the Korean Wave.

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Girls’ Generation debuts on ‘Letterman’ and ‘Live! With Kelly’

Posted on 01 February 2012 by Andy Jung

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Girls' Generation on Letterman and Kelly
Nine-member K-pop group, Girls’ Generation made their U.S network TV debut by performing their hot single, “The Boys,” on The Late Show with David Letterman last night (Jan. 31).

One of the most watched late-night shows, The Late Show is famous for its celebrity guests, from politicians to Hollywood actors and actresses. This is a breakthrough for K-pop because this is the first time Korean singers have been invited as the musical act.

After their stellar debut last night, Girls’ Generation performed “The Boys” again on Live! With Kelly today to a cheering crowd and taught some of their dance moves to host Kelly Ripa and guest co-host Howie Mandel.

While Girls’ Generation has started to accumulate a worldwide audience, K-pop is also rising in popularity with other leading K-pop groups such as the Wonder Girls, who made their U.S. TV debut on The Wendy Williams Show in 2009 and is considered GG’s biggest rivals. The Wonder Girls are set to screen their TV movie, a cross between Fame, Step Up, and Bring It On, on TeenNick tomorrow, February 2 at 5PM pst/ 8PM est. To watch the movie trailer, click here.

Watch Girls’ Generation perform on The Late Show with David Letterman:

Here’s a clip of their performance and short interview on Live! With Kelly:

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Be a Kpop Star on YouTube

Posted on 07 November 2010 by Korean Beacon

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I went to YouTube this morning and guess who’s sponsoring today’s home page on YouTube?  The Korean entertainment company MBC who’s running a contest to find the next Asian (Kpop) star.  Really?!  And you don’t have to be Asian they say.  This is crazy.  They’re running a promotion on YouTube in America?!  Crazy!  Maybe you can be that next star.

YouTube Star Audition seeks the next Asian pop star. Anyone who loves to sing K-POP can apply, regardless of national origin.

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Time Magazine Says Kpop is Going Global!

Posted on 26 August 2010 by Korean Beacon

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Big props for Johnny Noh and AllKpop for knowing that Kpop was going to be big and Time Magazine is now recognizing that.  Time interviewed Johnny and others about the growing popularity of Korean pop music.

“Korean artists are now out there,” says Johnny Noh, who runs the (AllKpop) site. “People like [Korean artists] and want to know more about them.”

For many artists in Korea’s booming music industry, social media like YouTube and Twitter have become crucial tools to reach audiences in formerly hard-to-access markets like the U.S. and Europe. Korean artists are bypassing traditional outlets like radio and television, “aggressively steering their efforts to go international via the Internet,” says Bernie Cho, president of DFSB Kollective, a Seoul-based agency specializing in the international marketing of Korean pop acts. “Social-media-savvy K-pop stars are now tweeting, YouTubing and Facebooking their way up music charts across and beyond Asia.”

Source: Time Magazine

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Who Wants to Date a Wonder Girl?

Posted on 11 March 2010 by Korean Beacon

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Looks like those Kpop girls from South Korea are getting a little lonely in the states.  They hang out a lot along Korea town in NY and that’s because the JYP Entertainment headquarters are a few blocks away.  You’ll see glimpses of them together eating soondubu but never with a male companion.  It sure must get lonely for these pop tarts and they share a little bit from their de facto website WonderfulsWorld.com.

Hollywood hunks like Johnny Depp, Hugh Jackman, and Robert Pattison have found fans in Korean girl group The Wonder Girls. But men not blessed in the genetics department needn’t fret. These girls are equally open to just about anybody and everybody as Park Ye-eun (better known as Yenny) says, “We don’t really care about races or colours.”

But so far, their love lives have been anything but colourful, “We haven’t really met boys in the states. We are quite busy touring all the states (in America),” she continued to explain.

Currently busy with the promotional activities for their latest English single, Nobody, the girls (Park Ye-eun, Min Sun Ye, Ahn Sohee, Kim Yubin, Yu Hae Lim) have their hands full preparing for the May/June worldwide release of their upcoming music album. It doesn’t help that it will be recorded with songs in three different languages (Korean, English, and Chinese) to “satisfy fans from all over the world.”

They’re the most successful Korean girl group in the US market, but the start before the breakthrough was all but bumpy. They were sent to attend English classes in America and confessed that “the language” was the biggest obstacle” for them.

The girls have had intensive English lessons for less than a year, and while their grasp of the language is far from perfect, there’s already an American accent when they speak. “Except Yubin, we’ve never lived in the US before, so we really needed to learn English very hard. And we’re still learning English very hard [now],” quipped Yenny in crisp American accent.

Despite being far from home, the girls aren’t worried about the increasing competition or losing base with their Korean fans.

“This is just a miracle to be able to do what we are doing now,” Min Sun Ye gushed in response while Yenny the most eloquent speaker of the group, reiterated, “We don’t really try to keep our place on top [of the game]. We just try to deliver our music and try to interact with fans.”

And their game plan for keeping in touch with international fans? Social media networking platform, Twitter.

“To be honest, that’s why we try to tweet a lot. We can still talk to our fans through twitter,” the giggly girls agreed in unison.

The quintet changed the landscape of K-pop in the world with their catchy rifts and signature dance moves in their hit song ‘Nobody’. And despite all that fame and success under their belts, they remained unbelievably humble and grounded when asked to differentiate themselves from other girl groups in Korea.

The group’s leader, Sun Ye, replied with a slight drawl, “Yeah, I wonder too.

“We are really not that pretty, and not that smart. We are not that good at singing and dancing, I think. We are just really grateful that people are enjoying our music, dance, and everything. Yeah, so thankful for that.”

Looks like fans will be in for a surprise this coming May/June. The girls played coy and refused to divulge details of their upcoming new concept. They hemmed and hawed for a few moments before Yenny flashed a cheeky grin and chirped, “No comments!”

The Wonder Girl’s latest music single, Nobody, is available at all leading record stores.

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Hi Krista Ep2: Who’s your favorite K-POP artist?

Posted on 05 March 2010 by Korean Beacon

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This is the second episode of Korean Beacon’s new Weekly Online Talk Show where our host, Christina Lee, will discuss a topic and ask viewers to send in their own comments and video responses to beacon (at) koreanbeacon (dot) com.

This week we share a few comments from last week’s Valentine’s day episode and leave you with the all too important question, Who is your favorite K-POP artist?

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RAIN Dances at Concept Korea at New York’s Fashion Week

Posted on 16 February 2010 by Korean Beacon

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RAIN was in New York over the weekend to promote the Concept Korea Fashion Collective during New York’s Fashion Week.  The event was held at the New York Public Library to promote the fashion sense coming out of Korea.  Enjoy RAIN!

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Wonder Girls’ “Nobody” Voted Top Music Video in the U.S.

Posted on 03 February 2010 by Korean Beacon

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The power of the Internet (or Korean netizens) made the music video “Nobody” by the Wonder Girls as the video of the year (2009), according to an online poll conducted by musiqtone.com.  The video received 37% of the overall vote among 80 eligible candidates.  That’s a lot of voting from the devoted Wonder Girls’ fan base and probably from South Korea.

Musiqtone.com is a website that provides news and multimedia content about albums and music videos in the U.S.

Source: Wonderfuls World

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